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ABOUT

 

From the boundaries of the calendar, Man has expressed his thinking in different ways. The supports of these revelations are crucial for these manifestations to be understood, in a universal way, from the cave to the digital scene or another that will be agreed in the next chapters. The effect of the image perception at the cognitive level has remained much the same since the stone age of Homo sapiens, today Homo sapiens sapiens. The modern man processes images the same way but at more images per second, in order for him to organize his reception. This performance in the contemporary world and the consequences of post-digital compel a human effort to clairvoyant multidirectional and dimensional information. Any “smart” character device has admirable potential. One would simply think that any “smartphone” has a superior aptitude than the “Apollo 11” device and the result that has worked. Today, from “the stone age” to the amplified digital world to the “post-digital” world we are faced with new challenges, but the human has its limits in the way it understands, grasps the world around it, that it circles outside your body. The third or fourth dimensions are making the method insufficient, poor, we need another view, or perhaps dimensions, to simplify the final mechanism that spurs our intellect. The cognitive effect of how information is processed is likely to remain the same. The exercises, the perception of the forms of expression, the images produced in the deep journey of the cognitive phenomenon, must be translated and / or simplified, aided in the final product of knowledge. Submersion in the work implies having access to the object and a whole row of dependence that gravitate to this work and its production time. According to Martin Heidegger (1889 - 1976), “Every man is always and necessarily inserted in the world of things and other people. “Inserted” means being linked through a complex web of concerns, tasks, interests, and care that provides the initial configuration of the real.”

TEAM

ARTISTS

 

UPCOMING EVENTS Performances, Conferences, Artist Talks

CONTACT

 

Selma Eduarda,

Fábrica da Criatividade,

Castelo Branco,Portugal

digitalart@destiniesofsense.com

22/Nov

BOOKING NOW

06/Dec

11/Dec

Jan

Online

Online

Online

Online

Artist Talk: Alexandra Cruchinho, Esart

Artist Talk: Márcio Carvalho

Isa Seppi _aka_ Janjii R. Nataraj: Street  Dance Party (Second Life)

Artist Talk: Angela Saldanha

More...

BOOKING NOW

From the boundaries of the calendar, Man has expressed his thinking in different ways. The supports of these revelations are crucial for these manifestations to be understood, in a universal way, from the cave to the digital scene or another that will be agreed in the next chapters. The effect of the image perception at the cognitive level has remained much the same since the stone age of Homo sapiens, today Homo sapiens sapiens. The modern man processes images the same way but at more images per second, in order for him to organize his reception. This performance in the contemporary world and the consequences of post-digital compel a human effort to clairvoyant multidirectional and dimensional information. Any “smart” character device has admirable potential. One would simply think that any “smartphone” has a superior aptitude than the “Apollo 11” device and the result that has worked. Today, from “the stone age” to the amplified digital world to the “post-digital” world we are faced with new challenges, but the human has its limits in the way it understands, grasps the world around it, that it circles outside your body. The third or fourth dimensions are making the method insufficient, poor, we need another view, or perhaps dimensions, to simplify the final mechanism that spurs our intellect. The cognitive effect of how information is processed is likely to remain the same. The exercises, the perception of the forms of expression, the images produced in the deep journey of the cognitive phenomenon, must be translated and / or simplified, aided in the final product of knowledge. Submersion in the work implies having access to the object and a whole row of dependence that gravitate to this work and its production time. According to Martin Heidegger (1889 - 1976), “Every man is always and necessarily inserted in the world of things and other people. “Inserted” means being linked through a complex web of concerns, tasks, interests, and care that provides the initial configuration of the real.”
UPCOMING EVENTS Performances, Conferences, Artist Talks